I’ve been thinking about how the symbols on music sheets can look quite monotonous but they actually conceal another dimension. I think, individually the notes are just notes; signs of certain frequencies and times. However when we are playing them, the notes are interacting with each other and creating harmonies. If I am thinking about music in a space, I feel it is flowing around us. Nevertheless, it’s written in a formal sheet that one can read and play; it starts at top left corner and usually ends at the bottom right corner of the sheet. It’s quite amazing how music has its own written language, and whoever can translate it is able to experience and share it.
With the sketches below I try to reflect these ideas. I chose the piano piece Clair de Lune from the French composer Debussy, simply because I like the piece and piano compositions are close to my heart. As I did in the former post “Bringing the background music in front”, I searched for the music sheet, and using the light box I copied some of the staves, slurs and ties. I used black fiber tip pen to draw the notations from the music sheets on paper. I layered and drew them in different directions, to illustrate the interaction of sounds. The applied watercolors describe aspects of the music we cannot see: harmonies, evoked feelings, and the propagation of the sound waves.
Media: Fiber tip pen and watercolor.
03 / 01 / 15